Oh Lord I love you so Never want to let you go You are always by my side You always fill me up inside Never turn my back on you Faith in Christ will see me through I can't wait to leave this place I can't wait to see your face Oh, Lord I want to go home

4beds. 2 bath. 2 cars. 747 sqm. There is no Estimated Property Value Range Data available for this property. 11 Lyric Grove, Camberwell, VIC 3124 is a House. This property has 4 bedrooms and 2 bathrooms. The last time this property sold was in 2017 for $2,175,000. It is on a block of land that is 745 square metres.

Lucifer - House for sale 1975The sun went up on rainy morningJust a couple of hours after dawnMrs. Hadley peaked out through her curtainsWondering what was going onThe neighbors said over coffee cupsThat nice young couple is breaking upAnd in the living room the linen and the crystalsSit all packed and set to goI tell myself once more I won't be here in springTo see my roses growAnd all the things you tried to fixThe roof still leaks, the door still sticksHouse for saleYou can read it on the signHouse for saleIt was yours and it was mineAnd tomorrow some strangersWill be climbing up the stairsTo the bedroom filled with memoriesThe one we used to shareI know you've always loved that paintingFrom that funny little shop in SpainRemember how we found it when we ducked inFrom that sudden summer rainBut I think I'll keep the silver trayMy mother gave us on our wedding dayHouse for saleYou can read it on the signHouse for saleIt was yours and it was mineAnd tomorrow some strangersWill be climbing up the stairsTo the bedroom filled with memoriesThe one we used to shareHouse for saleYou can read it on the signHouse for saleIt was yours and it was mineAnd tomorrow some strangersWill be climbing up the stairsTo the bedroom filled with memoriesThe one we used to shareHouse for saleYou can read it on the signHouse for saleIt was yours and it was mineAnd tomorrow some strangersWill be climbing up the stairsTo the bedroom filled with memoriesThe one we used to shareHouse for saleYou can read it on the signHouse for sale, ohoIt was yours and it was mineAnd tomorrow some strangersWill be climbing up the stairsTo the bedroom filled with memoriesThe one we used to share

Kanisha Feliciano plays Maria opposite Ryan McCartan as Tony in Lyric Opera’s “West Side Story.”© Todd Rosenberg Photography Conglomerations of talent don’t always guarantee success in show business, but it absolutely did in the case of “West Side Story.”Four of the great creative minds of the 20th century — composer Leonard Bernstein, lyricist Stephen Sondheim, choreographer Jerome Robbins and playwright Arthur Laurents — came together to conceive a transformative, of-the-moment Broadway musical that opened in 1957 to enormous 2019, Lyric Opera of Chicago presented a new staging of this enduring masterpiece, a co-production with the Houston Grand Opera and Glimmerglass Festival in Cooperstown, New York. It returned to that production Friday evening, opening a super-charged and touching revival. Lyric Opera of Chicago — West Side Story’ With a 49-member cast and chorus, a 43-member pit orchestra and the massive expanse of the Lyric Opera House stage, it is the kind of large-scale treatment of this musical that only an opera company could muster. And it’s one that makes sense given the show’s sprawling setting on the streets of New York City. “West Side Story” transports Shakespeare’s “Romeo and Juliet” to New York’s Upper West Side of the 1950s, with the Montague and Capulet families replaced by warring street gangs of diverse ethnicities, in this case, the Sharks and the Jets. The set of Lyric Opera of Chicago’s “West Side Story” hews to a 1950s New York look. © Todd Rosenberg Photography Although elements of this musical, including its treatment of ethnic differences, don’t always square with today’s cultural sensitivities, stage director Francesca Zambello and Lyric’s artistic leaders wisely chose to hew to the original text with virtually no musical is inevitably a product of its time, but it also defiantly transcends that time. Indeed, its exploration of violence, poverty and ethnic strife still seems powerfully relevant in a society still struggling to overcome these persistent doubt to try to stress this continuing relevance, Zambello chose to subtly update this production to more or less present day. The move is only telegraphed by Jessica Jahn’s costumes, which include one character, for example, wearing a Patrick Ewing New York Knicks tank top. It’s a puzzling decision because the time change is at odds, for example, with references in the musical to “rumbles,” a term for street fights now long out of date. Peter J. Davison’s striking, ambitious set, however, hews to a 1950s New York look, with its angled, three-story building facades on the sides of the stage and its silhouettes of Manhattan’s once-ubiquitous rooftop water towers at the rear — all accented by Mark McCullough’s handsome though, Zambello does not make any big interpretative statements here. She simply chooses to showcase the innate power of this musical with a vibrant, propulsive staging and careful attention to shaping the characters. Also deserving note is Joshua Bergasse, who masterfully reproduces Robbins’ extraordinary jutting and jousting, snapping and strutting choreography that plays such an integral role in telling this story. Yurel Echezarreta left, as Bernardo and Amanda Castro as Anita with the company of Lyric Opera’s “West Side Story.”© Todd Rosenberg Photography This musical requires performers who are “triple threats” as actors, singers and dancers, and Lyric Opera assembled an absolutely first-rate cast led by Broadway’s Ryan McCartan in his Lyric debut. He shows real star power as Tony, a member of the Jets who tries and tragically fails to stop the cycle of gang violence. This fresh-faced performer has a wonderfully natural voice that he used Friday night to uplifting effect in “Maria,” Tony’s proclamation of newfound and ultimately star-crossed love — drawing an extended, well-deserved ovation. He is nicely matched by Kanisha Feliciano as Maria, a vibrant performer with a pure, clarion voice. Together they are completely convincing as young, blindly idealistic lovers. One of the musical’s showiest roles is that of Anita Amanda Castro, the girlfriend of Maria’s brother, Bernardo Yurel Echezaretta, in his Lyric debut, the leader of the Sharks. Castro makes the most of it with her high-energy, acrobatic dancing and big, brash singing style. Other standouts include Brett Thiele as Riff, the leader of the Jets, and Nathan Keen, who aptly conveys the quick-temper edginess of Action, a member of the Jets who shines in the dark-humored song, “Gee, Officer Krupke.”The singers are solidly backed by conductor James Lowe, who clearly knows his way around this score. He never allows the show’s all-important drive and momentum to flag, and he makes sure the Lyric pit orchestra gives rich, energetic voice to Bernstein’s jazzy, driving score. Dancers perform in “West Side Story” at the Lyric Opera Rosenberg There are still some people who question opera houses presenting musicals, but such views wrongly downgrade the value of such works and misunderstand the contemporary role of such companies as guardians and presenters of high-quality music theater of whatever kind. As this production makes vividly clear, “West Side Story” is as musically substantive and theatrically compelling as any American opera, and it deserves to have a place on the opera stage just as it does on the Great White Way.

Locatedin the heart of Times Square, The Lyric Theatre is home to 'Harry Potter and the Cursed Child' on Broadway. Book tickets and plan your visit!

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